{"id":594,"date":"2015-05-27T08:32:08","date_gmt":"2015-05-27T07:32:08","guid":{"rendered":"https:\/\/blog.artsaucarre.be\/caso-couleur\/?p=594"},"modified":"2022-08-27T13:45:35","modified_gmt":"2022-08-27T12:45:35","slug":"biddaa-nadia-gerard-maxence-damien-cecile","status":"publish","type":"post","link":"https:\/\/blog.artsaucarre.be\/pratique-couleur\/2015\/05\/27\/biddaa-nadia-gerard-maxence-damien-cecile\/","title":{"rendered":"Biddaa Nadia, G\u00e9rard Maxence, Damien C\u00e9cile"},"content":{"rendered":"

\u00ab\u00a0Hand\u2019s limit\u00a0\u00bb<\/strong><\/h2>\n

Travail collectif de Biddaa Nadia (De) – G\u00e9rard Maxence (Pe) – Damien C\u00e9cile (De).<\/p>\n

La main est outil, pour \u00e9crire, tracer, passer, se nourrir\u2026
\nElle est moyen de communication universel (langage des signes, corporel, artistique, didactique\u2026 ).<\/p>\n

Hand\u2019s limit<\/strong> modifie notre perception de la main par le support, le gros plan, la ligne peinte, la couleur changeante.\u00a0 Il est question ici d\u2019une exp\u00e9rimentation de toutes les voies possibles de cette partie du corps.<\/p>\n

 <\/p>\n

Lignes, chemins, qui recouvrent ou d\u00e9couvrent\u00a0:<\/strong><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\u00a0Perte du sens initial :<\/strong><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

 <\/p>\n

Camouflage, int\u00e9gration :<\/strong><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

\"hands<\/a><\/p>\n

 <\/p>\n

Disparition :<\/strong><\/p>\n

\"hands<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u00ab\u00a0Hand\u2019s limit\u00a0\u00bb Travail collectif de Biddaa Nadia (De) – G\u00e9rard Maxence (Pe) – Damien C\u00e9cile (De). La main est outil, pour \u00e9crire, tracer, passer, se nourrir\u2026 Elle est moyen de communication universel (langage des signes, corporel, artistique, didactique\u2026 ). Hand\u2019s<\/p>\n","protected":false},"author":30,"featured_media":634,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-594","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-galerie-travaux-201415"],"_links":{"self":[{"href":"https:\/\/blog.artsaucarre.be\/pratique-couleur\/wp-json\/wp\/v2\/posts\/594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.artsaucarre.be\/pratique-couleur\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.artsaucarre.be\/pratique-couleur\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.artsaucarre.be\/pratique-couleur\/wp-json\/wp\/v2\/users\/30"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.artsaucarre.be\/pratique-couleur\/wp-json\/wp\/v2\/comments?post=594"}],"version-history":[{"count":20,"href":"https:\/\/blog.artsaucarre.be\/pratique-couleur\/wp-json\/wp\/v2\/posts\/594\/revisions"}],"predecessor-version":[{"id":1316,"href":"https:\/\/blog.artsaucarre.be\/pratique-couleur\/wp-json\/wp\/v2\/posts\/594\/revisions\/1316"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.artsaucarre.be\/pratique-couleur\/wp-json\/wp\/v2\/media\/634"}],"wp:attachment":[{"href":"https:\/\/blog.artsaucarre.be\/pratique-couleur\/wp-json\/wp\/v2\/media?parent=594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.artsaucarre.be\/pratique-couleur\/wp-json\/wp\/v2\/categories?post=594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.artsaucarre.be\/pratique-couleur\/wp-json\/wp\/v2\/tags?post=594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}