{"id":805,"date":"2017-05-31T13:05:00","date_gmt":"2017-05-31T12:05:00","guid":{"rendered":"https:\/\/blog.artsaucarre.be\/peinture\/?p=805"},"modified":"2017-05-31T13:05:00","modified_gmt":"2017-05-31T12:05:00","slug":"tanger-2017","status":"publish","type":"post","link":"https:\/\/blog.artsaucarre.be\/peinture\/2017\/05\/31\/tanger-2017\/","title":{"rendered":"TANGER 2017"},"content":{"rendered":"

\"Quentin-Callens,Tissage-urbain,-photographies,-mars-2017\"<\/p>\n

WORKSHOP D\u00e9troit(s),\u00a0<\/i> du 26 mars au 5 avril 2017, Tanger (Maroc)<\/p>\n

\u00ab\u00a0Le d\u00e9troit marque une limite, appelle un ailleurs, ouvre des possibles\u2026\u00bb<\/i><\/p>\n

Avec la participation de 10 \u00e9tudiants\u00a0: Louison Wauters, Manon Legrand, Silvia Gigliotti, Quentin Callens, Arnaud Clerbois, Jonathan Ordonez-Noirfalise, Charlotte Cuny, Emilie Salik, Laura Verhaeghe, In\u00e8s Gauquier, Ana\u00efs Grumieaux (invit\u00e9e)<\/p>\n

Tanger, est le symbole m\u00eame, par sa position au bord d\u2019un d\u00e9troit et entre deux continents, de ces lieux o\u00f9 le passage et les \u00e9changes se font, o\u00f9 se mixent les imaginaires et les affleurements du r\u00e9el. V\u00e9ritable territoire de migrations plurielles (nationales, continentales, intercontinentales, artistiques,\u2026), il a \u00e9t\u00e9 demand\u00e9 aux \u00e9tudiants d\u2019approcher le lieu dans sa complexit\u00e9 \u00e0 travers divers axes de r\u00e9flexion: g\u00e9ographique, historique, artistique, culturel, social ou\/et soci\u00e9tal.<\/p>\n

Coordination : B\u00e9n\u00e9dicte Henderick et Didier Mahieu<\/p>\n

\"image029\"<\/p>\n

\"image030\"<\/p>\n

\"image032\"\u00a0\u00a0\"image031\"<\/p>\n

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\"Paysages-Nomades16\"\"Paysages-Nomades-13\"\"Paysages-Nomades-12\"\"Paysages-Nomades-6\"\"Manon7\"\"IMG_0080\"<\/p>\n

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WORKSHOP D\u00e9troit(s),\u00a0 du 26 mars au 5 avril 2017, Tanger (Maroc) \u00ab\u00a0Le d\u00e9troit marque une limite, appelle un ailleurs, ouvre des possibles\u2026\u00bb Avec la participation de 10 \u00e9tudiants\u00a0: Louison Wauters, Manon Legrand, Silvia Gigliotti, Quentin Callens, Arnaud Clerbois, Jonathan Ordonez-Noirfalise,<\/p>\n","protected":false},"author":45,"featured_media":812,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-805","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-activites"],"_links":{"self":[{"href":"https:\/\/blog.artsaucarre.be\/peinture\/wp-json\/wp\/v2\/posts\/805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.artsaucarre.be\/peinture\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.artsaucarre.be\/peinture\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.artsaucarre.be\/peinture\/wp-json\/wp\/v2\/users\/45"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.artsaucarre.be\/peinture\/wp-json\/wp\/v2\/comments?post=805"}],"version-history":[{"count":45,"href":"https:\/\/blog.artsaucarre.be\/peinture\/wp-json\/wp\/v2\/posts\/805\/revisions"}],"predecessor-version":[{"id":876,"href":"https:\/\/blog.artsaucarre.be\/peinture\/wp-json\/wp\/v2\/posts\/805\/revisions\/876"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.artsaucarre.be\/peinture\/wp-json\/wp\/v2\/media\/812"}],"wp:attachment":[{"href":"https:\/\/blog.artsaucarre.be\/peinture\/wp-json\/wp\/v2\/media?parent=805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.artsaucarre.be\/peinture\/wp-json\/wp\/v2\/categories?post=805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.artsaucarre.be\/peinture\/wp-json\/wp\/v2\/tags?post=805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}